Sophie Howarth, Introduction  This study day explores the various art practices that have been described as sculpture during the modern period, with particular reference to their avant-garde and aesthetic status. The talks consider the way in which the category of sculpture has been reworked or challenged through concepts such as the 'readymade' as well as through performance and installation art and site-specific commissions.

Steve Edwards, Mohini Chandra, Marcus Verhagen and Dominic Willsdon, Discussion 2  This video recording from the Contemporary Art and Globalisation Study Day features a panel discussion between speakers.

Mohini Chandra and Dominic Willsdon, Travels in a New World  In exploring the nature of diaspora and visual culture, through installation based art work, texts and other publications, Chandra’s practice involves a multiplicity of cross-cultural dialogues with disciplines such as history, anthropology and geography, suggesting new ways of mapping cultural experience through personal memory.

Gill Perry, Discussion  This video recording is the discussion, the final part of the Tate Modern study day Identity and Performativity

Gilda Williams, Factory Girls and Superstars: Warhol's Women in the 1960s  Gilda Williams discusses the construction of women's identity in Warhol's Factory, which, despite being often described as a 'boy's club’, counted numerous fascinating, often beautiful women among its regulars, including Jane Holzer, Edie Sedgwick, Brigid Berlin, Ultra Violet, Dorothy Dean, Mary Woronov, Viva and innumerable others.

Gill Perry, Gender, Performance and Play: An Introduction  Professor Gill Perry reviews some of the issues for the day, exploring the relationship between gender, performativity and play. This programme maps out the wide range of practices and theories associated with the labels 'performance', 'performance art' and 'performativity', providing a toolkit with which to explore some of the practices involved.

Marko Daniel, Introduction  This study day explores the various ways in which performance has been used in recent art, focusing on a range of media including photography, performance, installation, video art and painting.

Jennifer Mundy, Duchamp, Man Ray, Picabia, Three's a Crowd?  Jennifer Mundy, curator of Duchamp, Man Ray, Picabia, reflects on the exhibition, its making and its aims. Further Reading Jennifer Mundy ed., Duchamp, Man Ray, Picabia, Tate Publishing, London 2008.

TJ  Demos, Duchamp, Man Ray, Picabia, Dada and Exile  TJ Demos discusses the form and function of "exile" in relation to the work of Duchamp, Man Ray, and Picabia, a term that both defines the experiential circumstances of Dadaist artists and inflects Dada's aesthetico-political commitment.

Jason Gaiger, Duchamp, Man Ray, Picabia, Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde  It is widely accepted that the radical avant-garde movements of the early twentieth century abjured beauty, thereby effecting a decisive break with the art of the past. Duchamp is accorded a leading role in this process insofar as he rejected the satisfactions of ‘retinal pleasure’ in favour of an art of ideas.