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Part 2. Hal Foster, The Cliché According to Roy Lichtenstein

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

Part 1. Welcome and introduction, Marko Daniel and Gill Perry

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

James Welling was born in Hartford, Connecticut, USA in 1951. He gained a B.F.A. and M.F.A. from the influential art school CalArts (California Institute of Fine Arts), where he studied under artist John Baldessari, alongside contemporaries that included David Salle, Mark Manders and Jack Goldstein. In 1995 Welling moved to Los Angeles to head the photography area of the Art Department of UCLA, where he continues to live and work.

Contributor Will Rea. Will is Senior Lecturer in the school of Fine Art, History of Art and Cultural Studies at the University of Leeds. He has worked extensively in South Western Nigeria. He has worked with artists in Nigeria and has been particularly involved with masquerade performances in the Ekiti region. More recently he has worked with contemporary makers in Lagos and Ibadan.

This is one of five podcasts produced by the Open University to accompany the exhibition ‘The First Actresses: Nell Gwyn to Sarah Siddons’ at the National Portrait Gallery, London 2011-2012. This show presents a vivid spectacle of femininity, fashion and theatricality in seventeenth and eighteenth-century England. It features portraits of some of the best known female performers of the period, who ranged from royal mistresses to successful writers and businesswomen, and accomplished musicians.

This panel discussion, part of a major international symposium at Tate Liverpool, considers recent developments in the globalisation of the contemporary art of Africa and its many diasporas. Speakers include: Leon Wainwright, Chris Spring and Roger Malbert. The event was in association with the exhibition, Afro Modern

Andrew Dewdney, David Dibosa and Victoria Walsh interview with art historian Leon Wainwright, as part of ‘Tate Encounters: Britishness and Visual Culture’, a three-year research project funded by the Arts and Humanities Research Council through the Diasporas, Migration and Identities Programme, which commenced in April 2007. Collaborating institutions: Tate Britain, London South Bank University and the University of the Arts London, through Chelsea College.

A Symposium Exploring The Work Of John Akomfrah, The Black Audio Collective And Other Visual Artists Inspired By The Work Of Stuart Hall 

Key note speakers include: EKOW ESHUN: Writer, cultural commentator and award-winning broadcaster. JOHN AKOMFRAH: Artist, film director, screenwriter and founding member of Black Audio Film Collective. KODWO ESHUN: Co-founding member of the Otolith Group, writer, theorist, film-maker, and curator of the exhibition The Ghosts of Songs: A Retrospective of the Black Audio Film Collective (2007).

Anna Barriball’s first major survey exhibition, at MK Gallery, brought together drawing, video, photography and sculpture made over the last decade. She is in conversation with Professor Briony Fer.

The Trinidadian born artist Karen Mc Lean talks about her installation 'Post Colonial Now' first exhibited at Edible Eastside, Birmingham in 2012. In her talk she explains the artistic processes and ideas that were involved.

On 5-6 February 2013, the Tropenmuseum, Amsterdam (KIT, Royal Tropical Institute) hosted the project conference ‘Sustainable Art Communities: Creativity and Policy in the Transnational Caribbean’. This is part of a two-year international research project led by Dr Leon Wainwright (The Open University, UK), with Co-Investigator Professor Dr Kitty Zijlmans (Leiden University), funded by the Netherlands Organisation for Scientific Research (NWO) and the Arts and Humanities Research Council (AHRC, UK).

'On Bees, Hives and the Human' - Part 3 - Rebecca Chesney  This seminar 'On Bees, Hives and the Human' was chaired by Dr Helen Pheby, Deputy Curator, Yorkshire Sculpture Park and was hosted by the University of Sheffield. Rebecca Chesney was artist in residence at the Yorkshire Sculpture Park (YSP) in 2010. She used her time there to research the bees and other wildlife on the estate, with a view to producing work for an exhibition at the Park's galleries to be held in April 2011.

'On Bees, Hives and the Human' - Part 2 - Dr Clare Preston  This seminar 'On Bees, Hives and the Human' was chaired by Dr Helen Pheby, Deputy Curator, Yorkshire Sculpture Park and was hosted by the University of Sheffield. This seminar included contributions from a scientist, a cultural historian and a practising artist. Common themes emerged regarding the relationship of bees to human social, cultural and environmental concerns. There were also differences in emphasis as the balance of creative, scientific and cultural concerns was different for each speaker.

'On Bees, Hives and the Human - Part 1 - Professor Francis Ratnieks  This seminar 'On Bees, Hives and the Human' was chaired by Dr Helen Pheby, Deputy Curator, Yorkshire Sculpture Park and was hosted by the University of Sheffield. This seminar included contributions from a scientist, a cultural historian and a practising artist. Common themes emerged regarding the relationship of bees to human social, cultural and environmental concerns. There were also difference in emphasis as the balance of creative, scientific and cultural concerns was different for each speaker.

This study day explored issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

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