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The Open University has collaborated with the artist Olivia Plender in her current solo show at Milton Keynes Gallery, providing archived TV programmes from the Art and Environment course, first presented in the late 1970s. These are shown on television screens as part of Plender’s installation in the Long Gallery which explores the use of television as an educational resource (see below). Over the course of 2012 the exhibition will be travelling to the Arnolfini Gallery Bristol and the Centre for Contemporary Art, Glasgow.

‘Crystal World’ was an art exhibition held in July-October 2011. Curated by Gill Perry, Professor of Art History at the Open University and with the collaboration of the Royal Society, it explored modern artists’ fascination with the crystals and the relationships with scientific and philosophical studies of these chemical substances. In this podcast Gill Perry discusses the exhibition with Dr Keith Moore, Chief Librarian of the Royal Society. The interview takes place in the exhibition space in October, 2011.

Prof David Rowland opens the conference by welcoming delegates and introducing Lord Putnam's  keynote address. The conference was sponsored by Laurence King Publishing and Wiley-Blackwell.

Dr Carol Richardson, Senior Lecturer in Art History at the Open University at the time and one of the convenors of the conference gives a brief welcome to the conference.  The conference was sponsored by Laurence King Publishing and Wiley-Blackwell.

Alyce Mahon, Surrealism and Alchemy: Transform the World!

Part of the series 'Art & Alchemy: Transformation & Contemporary Art' A two day conference across Cambridge and Norwich exploring ideas of alchemy and transformation, and the role of crystals in contemporary artistic practice and theory from Graeco-Roman Egypt to Surrealism and contemporary art.

Heather Ackroyd and Dan Harvey, Stranded

Part of the series 'Art & Alchemy: Transformation & Contemporary Art'. A two day conference across Cambridge and Norwich exploring ideas of alchemy and transformation, and the role of crystals in contemporary artistic practice and theory from Graeco-Roman Egypt to Surrealism and contemporary art.

Brian Dillon, The Sun Has Turned to Glass: Art and the Crystalline Imagination

Part of the series of talks on Art & Alchemy: Transformation & Contemporary Art A two day conference across Cambridge and Norwich exploring ideas of alchemy and transformation, and the role of crystals in contemporary artistic practice and theory from Graeco-Roman Egypt to Surrealism and contemporary art.

Gill Perry, Gangs and Crystals at Home in South London: Roger Hiorns's Seizure, 2008

Part of the lecture series on 'Art & Alchemy: Transformation & Contemporary Art' A two day conference across Cambridge and Norwich exploring ideas of alchemy and transformation, and the role of crystals in contemporary artistic practice and theory from Graeco-Roman Egypt to Surrealism and contemporary art.

Urszula Szulakowska, Alchemy and Political Activism

Part of the lecture series on 'Art & Alchemy: Transformation & Contemporary Art' A two day conference across Cambridge and Norwich exploring ideas of alchemy and transformation, and the role of crystals in contemporary artistic practice and theory from Graeco-Roman Egypt to Surrealism and contemporary art.

Susie West, Nikolaus Pevsner, The Georgian and the neo-Georgian

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 4

Julia Scalzo, Victorian Disguised: Picturesque 'Visual Planning' and the Post-War Reconstruction of London

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 4

Elizabeth Darling, 'A live universal language': The Georgian as Motif in inter-war British Architectural Modernism

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 4

Discussions from session 3 and 4

There are 2 parts to this video: 1. A discussion lasting about 2 minutes chaired by Prof Tim Benton on "Re-appraising the Neo-Georgian 1880-1970 with Stephen Hague, Paul Ranogajec, Ian Lochhead, Gerry Adler and Harry Charrington. 2. A discussion lasting about 22 minutes chaired by Dr Elizabeth McKellar on "Mediating the Neo-Georgian 1920-1970" with Elizabeth Darling, Julia Scalzo and Susie West

Harry Charrington, Between personal activity and collective creation: Alvar Aalto and the Federal architecture of New England

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 3

Gerry Adler, UM 1800: a continental perspective on the Neo-Georgian

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 3

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