Open Arts Objects
The primary sources for Art History include tactile material objects: paintings, sculptures, drawings, ceramics, porcelain, textiles etc. This project from the Open University explores a series of vivid objects from ancient times to the present, showing how each is not merely a seductive or beautiful artwork or artefact, but can also reveal fascinating histories and connections. In short videos on selected objects, members of the department showcase their innovative research to the public; the series sheds light on some of the unsolved mysteries of material objects, exploring what is left out of standard art history textbooks. It also teaches viewers how to look closely—a critical tool for Art History. The objects explored include paintings, sculpture, prints, ceramics, architecture and design, film and video, and installation and performance art.
Watch this short film outlining the Open Arts Objects project
This project is part of the current strategy within the OU to develop a series of public facing initiatives that can help inspire wider and diverse constituencies to enjoy and understand art works and visual culture. We are producing a parallel and linked video project for the OU platform OpenLearn, Travelling Objects which explores a series of objects that have travelled and/or have been used across cultures, borders and geographies, which will be connected to the new BBC series Civilisations. Travelling Objects and Civilisations go live in 2017.
Open Arts Objects is working closely with teachers and communities across the UK to provide teaching support material that can be widely used in schools and community groups. If you are interested in receiving materials to trial at A-level, or would like to join our working group, please contact us at email@example.com. If you have been using our films and support materials in your teaching, we would appreciate you answering a very short survey (6 questions, approx. 5 minutes).
Sarah Couslon, curator at Yorkshire Sculpture Park, discusses how Hanging Trees addresses issues of borders, land rights and the natural environment.
Dr. Anne Pritchard considers how Renoir used a sumptuous blue dress to bring the nineteenth-century Paris art world face to face with modernity.
Susanna Brown, curator of Photographs at the V&A, discusses striking blue nature studies by Anna Atkins, one of the world's first female photographers.
Dr Susie West explore a Victorian parterre, a 1680s sundial and a monumental altar of 1748, part of 300 years of design in the garden.
In this film Dr Clare Taylor looks at a work made by a living artist who works in London, Yinka Shonibare. The subject, materials and sites she talks about all encourage viewers to think of their own individual, British and global identity in new ways.
Catherine Troiano, curator at the V&A, discusses a pair of photographs of a Sycamore tree by Henry Irving, which highlight photography’s role in both science and art.
Dr Leon Wainwright tackles the issue of meaning and experience around a contemporary artwork by the New Delhi-based artist Sonia Khurana.
Dr Leah Clark discusses the function of female profile portraits, a genre that was popular in fifteenth-century Italy.
Dr Leah Clark reveals the complexities of a small devotional diptych made for the collections of Eleonora d’Aragona, the Duchess of Ferrara.
Professor Elizabeth McKellar explores the central government building in New Delhi built as the Viceroy’s House, which combined both Indian and European architectural traditions.