Melanie Manchot, Kathy Battista and Gill Perry, Discussion 1  A discussion between Gill Perry, Melanie Manchot and Kathy Battista along with questions from the audience.

Kathy Battista, Women Artists, Pain and Self-Portraiture  Kathy Battista explores how women artists have used pain (both physical and emotional) as a medium. She considers three historical moments: Frida Kahlo’s works from the 1940s including Without Hope, 1945, Tree of Hope, Keep Firm, 1946, and The Broken Column, 1944; feminist artists Hannah Wilke and Jo Spence’s work from the late 1980s and early 1990s including Intra Venus (Wilke) 1993 and Narratives of Dis-ease (Spence) 1989; and Tracey Emin’s work from the late 1990s.

Gill Perry, Introduction to the Themes of the Day  Germaine Greer has described Kahlo as 'the first ever true performance artist'. Gill Perry considers this claim in relation to recent debates about the meanings of performance art, and in comparison with the activities of a later generation of women artists, including the work of Carolee Schneemann, Ana Mendieta and Hannah Wilke from the 1960s and 70s.

Steve Edwards, Nigel Warburton, Marko Daniel, Kathe Kollwitz, Frida Kahlo and Frances Morris, Plenary Discussion  At this study day leading curators and art historians discuss the relationship between exhibitions, museum collections and art history

Kathe Kollwitz and Frida Kahlo, The Guerrilla Girls  We're feminist masked avengers in the tradition of anonymous do-gooders like Robin Hood, Wonder Woman and Batman. How do we expose sexism, racism and corruption in politics, art, film and pop culture? With facts, humour and outrageous visuals. Our work has been passed around the world by our tireless supporters. We've appeared at over 90 universities and museums in recent years, as well as in The New York Times, The New Yorker, Bitch, Mother Jones and Artforum; on NPR, the BBC and CBC; and in many art and feminist texts.