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National Gallery building in the evening

The National Gallery in London houses the UK’s national collection of paintings in the Western European tradition from the 13th to the 19th centuries.  Visit their website  Image: National Gallery, London, John Pearson, flickr

Event date
Saturday, April 23, 2016 - 10:30 to 15:30
Location
National Gallery, London

Join speakers including Darren Almond, Simon Lee, Lynda Nead, Christopher Riopelle and  the OU’s Emma Barker and Gill Perry at this study day.

“Romanticism and modern art are one and the same thing” wrote the French poet Charles Baudelaire in 1846.

This study day, held in collaboration with the Open University, explores the diverse subjects and varied styles of Romantic painting with its ‘intimacy, spirituality, colour’ and ‘yearning for the infinite.’ Curators, art historians and artists discuss Delacroix, Romanticism, and the rise of modern art.

Event date
Saturday, November 21, 2015 - 11:00 to 15:30
Location
London, National Gallery

Join speakers including Yinka Shonibare, Xavier Bray, Juliet Wilson Bareau, Emma Barker, and Gill Perry to explore Goya's portraits.

Goya took the genre of portraiture to new heights. His technical and stylistic innovations enabled him to portray his sitters with extraordinary vividness and insight.

Event date
Friday, June 5, 2015 - 18:30 to 19:30
Location
London, National Gallery

The National Gallery, Sainsbury Wing Theatre
£7 / £6 concessions £5 members

This event marks the publication of Women Artists, the first comprehensive anthology of Linda Nochlin’s work.

For more information and to book tickets, please go to the National Gallery website.

 
Event date
Saturday, September 6, 2014 - 09:30
Location
The National Gallery, Sainsbury Wing Theatre

The National Gallery exhibition ‘Making Colour‘ takes visitors on a journey through colour from the ancient world to the Impressionists. On this study day, the journey continues up to the present day. You will hear from art historians and artists who will explore different aspects of the exhibition and discuss the symbolism of colour in different contexts. The cultural fear of corruption from colour will also be examined – along with the work of artists and writers who have challenged that fear (taken from the National Gallery website)

Event date
Friday, November 1, 2013 - 11:00
Location
London

Final discussion with Gill Perry, Colin Wiggins, Michael Landy This study day discussed the work of Michael Landy and his exhibition Michael Landy: Saints Alive, which ran between 23 May and 24 November 2013.

Event date
Friday, November 1, 2013 - 11:00
Location
London

Professor Gill Perry of the Open University talk 'on Playing - with Michael Landy' This study day discussed the work of Michael Landy and his exhibition Michael Landy: Saints Alive, which ran between 23 May and 24 November 2013.

Event date
Friday, November 1, 2013 - 11:00
Location
London

Colin Wiggins is in discussion with Michael Landy This study day discussed the work of Michael Landy and his exhibition Michael Landy: Saints Alive, which ran between 23 May and 24 November 2013.

Event date
Friday, November 1, 2013 - 11:00
Location
London

History of the Collection, Colin Wiggins, Special Projects Curator 30:14 mins (press the link button below) This study day discussed the work of Michael Landy and his exhibition Michael Landy: Saints Alive, which ran between 23 May and 24 November 2013.

Event date
Friday, November 1, 2013 - 11:00
Location
London

Colin Wiggins and Dr Jennifer Sliwka, Howard and Roberta Ahmanson Fellow in Art and Religion

Event date
Friday, November 1, 2013 - 11:00
Location
London

This study day discussed the work of Michael Landy and his exhibition Michael Landy: Saints Alive, which ran between 23 May and 24 November 2013. A series of large-scale kinetic sculptures brought a contemporary twist to the lives of the saints. Saints are more often associated with traditional sacred art than with contemporary work, but Michael Landy, Rootstein Hopkins Associate Artist in residence at the National Gallery, was inspired to revisit the subject for his exhibition.

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