Part 8: Grayson Perry Gauguin was a prolific storyteller and a skillful manipulator of his own image. Inspired by the first major exhibition in the UK of Gauguin's work for over 50 years, this study day explores myths of the artist from Gauguin to the present day, and some pervasive stereotypes of the idea of the 'artist-genius'. It combines art historical research and debates by leading scholars with insights and analysis by the exhibition curators.

Part 7: Ming Wong Gauguin was a prolific storyteller and a skillful manipulator of his own image. Inspired by the first major exhibition in the UK of Gauguin's work for over 50 years, this study day explores myths of the artist from Gauguin to the present day, and some pervasive stereotypes of the idea of the 'artist-genius'. It combines art historical research and debates by leading scholars with insights and analysis by the exhibition curators.

Part 6: Christine Riding Gauguin was a prolific storyteller and a skillful manipulator of his own image. Inspired by the first major exhibition in the UK of Gauguin's work for over 50 years, this study day explores myths of the artist from Gauguin to the present day, and some pervasive stereotypes of the idea of the 'artist-genius'. It combines art historical research and debates by leading scholars with insights and analysis by the exhibition curators.

Discussion 1. Gauguin was a prolific storyteller and a skillful manipulator of his own image. Inspired by the first major exhibition in the UK of Gauguin's work for over 50 years, this study day explores myths of the artist from Gauguin to the present day, and some pervasive stereotypes of the idea of the 'artist-genius'. It combines art historical research and debates by leading scholars with insights and analysis by the exhibition curators.

Part 4: Emma Barker Gauguin was a prolific storyteller and a skillful manipulator of his own image. Inspired by the first major exhibition in the UK of Gauguin's work for over 50 years, this study day explores myths of the artist from Gauguin to the present day, and some pervasive stereotypes of the idea of the 'artist-genius'. It combines art historical research and debates by leading scholars with insights and analysis by the exhibition curators.

Part 3: Alastair Wright Gauguin was a prolific storyteller and a skillful manipulator of his own image. Inspired by the first major exhibition in the UK of Gauguin's work for over 50 years, this study day explores myths of the artist from Gauguin to the present day, and some pervasive stereotypes of the idea of the 'artist-genius'. It combines art historical research and debates by leading scholars with insights and analysis by the exhibition curators.

Part 2: Belinda Thomson Gauguin was a prolific storyteller and a skillful manipulator of his own image. Inspired by the first major exhibition in the UK of Gauguin's work for over 50 years, this study day explores myths of the artist from Gauguin to the present day, and some pervasive stereotypes of the idea of the 'artist-genius'. It combines art historical research and debates by leading scholars with insights and analysis by the exhibition curators.

Welcome by Marko Daniel This study day explores some of the issues raised by the Rodchenko and Popova exhibition, including the relationship between art and every day life in post-war Russian constructivist art.

Part 1: Introduction Gauguin was a prolific storyteller and a skillful manipulator of his own image. Inspired by the first major exhibition in the UK of Gauguin's work for over 50 years, this study day explored myths of the artist from Gauguin to the present day, and some pervasive stereotypes of the idea of the 'artist-genius'. It combined art historical research and debates by leading scholars with insights and analysis by the exhibition curators.

Discussion 2 This symposium explores the controversial status of Futurist movements in art history, and some of their ‘avant-garde’ practices. Speakers engage with various forms of Futurist art, performance and film, including the use of manifestos and demonstrations. Italian Futurism will be viewed in relation to other radical art practices across Europe. The Futurists’ disdain for traditional values and their pursuit of an ‘art of modern life’ will be explored in relation to prevailing concepts of modernity and ‘avant-garde’ utopias.