Dawn Ades, Why Film?  Was there, for Dalí, a special appeal in film? Was it an alternative to his paintings, adaptable to certain effects beyond the reach of the canvas? Was it an extension of the pictorial image, or rather of his writings? Dawn Ades reviews Dalí's affair with film, a story of disappointments and optimism. Further Reading Paul Hammond L'Age d'or BFI Film Classics 1997 Dawn Ades "Morphologies of Desire" in Salvador Dali: The Early Years South Bank Centre 1994 Salvador Dali "The Rotting Donkey" (1930) in Haim Finkelstein The Collected Writings of Salvador Dali CUP 1998 p.223

Matthew Gale, Dalí & Film Exhibition: An Introduction  Matthew Gale gives an introduction to the Dalí & Film exhibition at Tate Modern. He discusses the curatorial issues concerning the show that arise from the juxtaposition of Dalí's paintings, photographs and drawings with his film imagery. Further Reading Paul Hammond, The Shadow and its Shadow: Surrealist Writings on Cinema, London 1978 and San Francisco 2000 Paul Hammond, L'Age d'or, London 1997 Haim Finkelstein ed., The Collected Writings of Salvador Dalí, Cambridge 1998