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Event date
Tuesday, November 20, 2012 - 10:00
Location
Vienna

T. Shanaathanan, Architecture of Memory/ Memory of Architecture: Art, Memory and Conflict in Sri Lanka

Event date
Tuesday, November 20, 2012 - 10:00
Location
Vienna

The project is designed to initiate new relationships and exchanges among the academic, policy, curating and artistic communities. Supported by the European Science Foundation (Humanities in the European Research Area, HERA). Traumatic pasts have complex and often dramatic influences on the present. The conference will explore creative engagements with controversial pasts in art practice, curating and museums, establishing a dialogue among diverse participants. Read more about our theme and aims on the project website www.open.ac.uk/Arts/disturbing-pasts/.

Event date
Thursday, June 2, 2011 - 23:00
Location
Winstanley Lecture Theatre Trinity College Cambridge

Heather Ackroyd and Dan Harvey, Stranded

Part of the series 'Art & Alchemy: Transformation & Contemporary Art'. A two day conference across Cambridge and Norwich exploring ideas of alchemy and transformation, and the role of crystals in contemporary artistic practice and theory from Graeco-Roman Egypt to Surrealism and contemporary art.

Event date
Friday, May 6, 2011 - 23:00
Location
The Gallery, 70 Cowcross street, London EC1M 6EJ

Susie West, Nikolaus Pevsner, The Georgian and the neo-Georgian

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 4

Event date
Friday, May 6, 2011 - 23:00
Location
The Gallery, 70 Cowcross street, London EC1M 6EJ

Julia Scalzo, Victorian Disguised: Picturesque 'Visual Planning' and the Post-War Reconstruction of London

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 4

Event date
Friday, May 6, 2011 - 23:00
Location
The Gallery, 70 Cowcross street, London EC1M 6EJ

Elizabeth Darling, 'A live universal language': The Georgian as Motif in inter-war British Architectural Modernism

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 4

Event date
Friday, May 6, 2011 - 23:00
Location
The Gallery, 70 Cowcross street, London EC1M 6EJ

Discussions from session 3 and 4

There are 2 parts to this video: 1. A discussion lasting about 2 minutes chaired by Prof Tim Benton on "Re-appraising the Neo-Georgian 1880-1970 with Stephen Hague, Paul Ranogajec, Ian Lochhead, Gerry Adler and Harry Charrington. 2. A discussion lasting about 22 minutes chaired by Dr Elizabeth McKellar on "Mediating the Neo-Georgian 1920-1970" with Elizabeth Darling, Julia Scalzo and Susie West

Event date
Friday, May 6, 2011 - 23:00
Location
The Gallery, 70 Cowcross street, London EC1M 6EJ

Harry Charrington, Between personal activity and collective creation: Alvar Aalto and the Federal architecture of New England

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 3

Event date
Friday, May 6, 2011 - 23:00
Location
The Gallery, 70 Cowcross street, London EC1M 6EJ

Gerry Adler, UM 1800: a continental perspective on the Neo-Georgian

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 3

Event date
Friday, May 6, 2011 - 23:00
Location
The Gallery, 70 Cowcross street, London EC1M 6EJ

Ian Lochhead, The Neo-Georgian in New Zealand, 1918-1940 

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 3

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