Brett Littman, Director of the Drawing Center, and New York artist Lawrence Weiner discuss the ‘Drawing in Progress’ exhibition held at mima in 2010. A notable highlight of this show was a major commission for the 5002 metre glass façade of mima by Lawrence Weiner. After visiting Middlesbrough in May 2010 Weiner developed the 24-hour artwork A LINE IS A LINE FOR ALL THAT, 2010. This is the single largest commission ever produced by Weiner in the UK.

Matthew Gale, Ian Christie, Gill Perry and Dawn Ades, Discussion 2  A video recording a discussion from the Tate Modern Surrealism and Film Study Day conference

Discussion 1 A video recording of a discussion from the Tate Modern Surrealism and Film Study Day

Matthew Gale, Dalí & Film Exhibition: An Introduction  Matthew Gale gives an introduction to the Dalí & Film exhibition at Tate Modern. He discusses the curatorial issues concerning the show that arise from the juxtaposition of Dalí's paintings, photographs and drawings with his film imagery. Further Reading Paul Hammond, The Shadow and its Shadow: Surrealist Writings on Cinema, London 1978 and San Francisco 2000 Paul Hammond, L'Age d'or, London 1997 Haim Finkelstein ed., The Collected Writings of Salvador Dalí, Cambridge 1998

Brandon Taylor, Looking from the Left From Line to Construction: Rodchenko's Laboratory of Form  From the earliest straight-line paintings of 1917 and 1918 through to Rodchenko's article 'The Line' of 1921, lines alone summarised the ambitions of Constructivism for efficiency, simplicity and functionality - and for energy, direction and speed, all metaphors of a new art and a new attitude to three-dimensional form in the real environment.We shall look carefully at the 'laboratory' attitudes of Rodchenko and Popova in their efforts to transcend painting, but with the resourc