Ian Lochhead, The Neo-Georgian in New Zealand, 1918-1940 

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 3

Re-appraising the Neo-Georgian 1880-1970

An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society.

Convened by Dr Julian Holder, English Heritage & Dr Elizabeth McKellar, Open University.

Paul Ranogajec, Beaux-Arts Urbanism and the Neo-Georgian in New York City

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 3

Stephen Hague, 'Phony Coloney': the Reception of the Georgian and the Construction of Twentieth-century America

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 3

The artist Gareth Jones explores the architecture and history of Milton Keynes, including some of its ‘unbuilt’ utopian projects.

This study day explored issues raised by the Surreal House exhibition and considered the role and meanings of the theme of the house in modern and contemporary art, film, architecture and culture. Contributors included Jane Alison, Senior Curator, Barbican Art Gallery; Gill Perry, Professor of Art History, OU; Barry Curtis, Professor of Art History, Royal College of Art; Brian Dillon, UK Editor of Cabinet; Dagmar Weston, Dr of Architectural Theory, Edinburgh University; Krysztof Fijalkowski, Dr of Art History, Norwich School of Art and James Lingwood, Co Director, Artangel.

Sophie Howarth, Phyllida Barlow, Paul Wood, Mark Godfrey, Jonathan Jones, Jason Gaiger and Jane Burton, Discussion 2  From Russian Suprematism through Abstract Expressionism, Minimalism and beyond, abstraction has been variously interpreted as nihilistic, political, sublime, decorative and ironic. While much writing about abstract art has been opaque, the talks here aim to clearly open up a variety of theoretical models for discussion.

Jane Burton, Experience and Interpretation  Speaker: Jane Burton, Curator of Interpretation, Tate Modern.Taking the Barnett Newman exhibition as its focus, Jane Burton seeks to unravel some of the possible interpretative approaches to Newman's art adopted by museums, both in his lifetime and today.