TJ  Demos, Duchamp, Man Ray, Picabia, Dada and Exile  TJ Demos discusses the form and function of "exile" in relation to the work of Duchamp, Man Ray, and Picabia, a term that both defines the experiential circumstances of Dadaist artists and inflects Dada's aesthetico-political commitment.

Jason Gaiger, Duchamp, Man Ray, Picabia, Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde  It is widely accepted that the radical avant-garde movements of the early twentieth century abjured beauty, thereby effecting a decisive break with the art of the past. Duchamp is accorded a leading role in this process insofar as he rejected the satisfactions of ‘retinal pleasure’ in favour of an art of ideas.

In this exclusive talk, Gilberto Zorio discussed his work and practice with Germano Celant and Mark Godfrey. Celant is a curator and art critic and at the time of recording, was Senior Curator of Contemporary Art at the Solomon R. Guggenheim Museum in New York. Celant is well known for his theory on Arte Povera (introduced at the Bertesca-Masnata Gallery, Genoa, 1967). He has regularly contributed to the magazines Artforum and Interview. Mark Godfrey is a former Lecturer in Art History and Theory at the Slade School of Art, London and a curator at Tate Modern.