Julia Scalzo, Victorian Disguised: Picturesque 'Visual Planning' and the Post-War Reconstruction of London

Re-appraising the Neo-Georgian 1880-1970 An International Conference organised by the Paul Mellon Centre for Studies in British Art, English Heritage, The Open University and the Twentieth Century Society. From Day 2, Session 4

Matthew Gale, Ian Christie, Gill Perry and Dawn Ades, Discussion 2  A video recording a discussion from the Tate Modern Surrealism and Film Study Day conference

Elliott King, Dalí, Fonzie, and what 'Late Dalí and Film' can tell us about Late Dalí and Everything Else  Speaker: Elliott King, a specialist in Dalí's post-war art and cosmogony. His first book, Dalí, Surrealism and Cinema (2007), is published by Kamera Books. Critics have often identified Dalí's 1941 rejection of Surrealism in favour of 'classicism' as the 'tipping point' when his work began to decline. His activity with film offers a compelling challenge to that history.