Wayne Modest, Ninety-Six Degrees in the Shade: Colouring in Absent Images

Clara Himmelheber​, The Exhibition "Namibia − Germany: A Shared/Divided History. Resistance, Violence, Memory" (Cologne, Berlin 2004/2005)

Liv Ramskjær, Break! On the unpleasant, the marginal and taboo, and the invisible or controversial in Norwegian museum exhibitions 

T. Shanaathanan, Architecture of Memory/ Memory of Architecture: Art, Memory and Conflict in Sri Lanka

The project is designed to initiate new relationships and exchanges among the academic, policy, curating and artistic communities. Supported by the European Science Foundation (Humanities in the European Research Area, HERA). Traumatic pasts have complex and often dramatic influences on the present. The conference will explore creative engagements with controversial pasts in art practice, curating and museums, establishing a dialogue among diverse participants. Read more about our theme and aims on the project website www.open.ac.uk/Arts/disturbing-pasts/.

Andrew Dewdney, David Dibosa and Victoria Walsh interview with art historian Leon Wainwright, as part of ‘Tate Encounters: Britishness and Visual Culture’, a three-year research project funded by the Arts and Humanities Research Council through the Diasporas, Migration and Identities Programme, which commenced in April 2007. Collaborating institutions: Tate Britain, London South Bank University and the University of the Arts London, through Chelsea College.