Gill Perry and Alex Danchev, Futurism: art and life and politics The Futurist project was ambitious, not to say grandiose. It outran art to embrace life. It was also intensely political.
Matthew Gale and Gill Perry, ‘The raging broom of madness’: making an exhibition of Futurism The presentation covers some of the ideas, issues and decisions that went into making Futurism at Tate Modern. It covers a range from conception to installation, including such concerns as how to present the manifestos and what happened to Balla's dog?
Gill Perry and Dominic Willsdon, Introduction This symposium explores the controversial status of Futurist movements in art history, and some of their 'avant-garde' practices.
Mike Belshaw, Gill Perry and Chris Riding, Discussion 2 Matisse Picasso at Tate Modern brings together major masterpieces by the two giants of modern art. Between them Matisse and Picasso originated many of the most significant developments of twentieth-century painting and sculpture. Now you can discover more about their fascinating and intricate relationship in this long-awaited exhibition which opens at Tate Modern and subsequently travels to Paris and New York.
Gender, Matisse and the Fauves, Gill Perry Gill Perry explores the relationship between the work of Matisse and the Fauve avant-garde, and that of several women artists working and exhibiting on the fringes of the movement. She focuses on issues of spectatorship and ideas of avant-gardism, and goes on to consider the role of gender in both contemporary and modern perceptions of Fauve practice.
Gill Perry, Sculpture and Performance in Ana Mendieta's Silueta Series Studies of Mendieta's work have frequently interpreted her earth/body art as both instilled with primitivist fantasies of a feminine primordial power, and an obsessive response to trauma and loss.
Melanie Manchot, Kathy Battista, Gill Perry, Gavin Butt, Dorothy Rowe and Catherine Grant, Discussion 8 A discussion between Gavin Butt, Dorothy Rowe and Catherine Grant along with questions from the audience.
Melanie Manchot, Kathy Battista and Gill Perry, Discussion 1 A discussion between Gill Perry, Melanie Manchot and Kathy Battista along with questions from the audience.
Gill Perry, Introduction to the Themes of the Day Germaine Greer has described Kahlo as 'the first ever true performance artist'. Gill Perry considers this claim in relation to recent debates about the meanings of performance art, and in comparison with the activities of a later generation of women artists, including the work of Carolee Schneemann, Ana Mendieta and Hannah Wilke from the 1960s and 70s.
