Plenary discussion

A symposium exploring the works of Agnes Martin. Four leading scholars present new research and lead discussion around Martin’s work. Speakers will explore new directions in its interpretation, including a consideration of the part her lesbian sexuality may be seen to play in her particular development of abstraction, and an examination of her links to other women artists of the time.

Speaker 4 - Prof. Jonathan Katz

A symposium exploring the works of Agnes Martin. Four leading scholars present new research and lead discussion around Martin’s work. Speakers will explore new directions in its interpretation, including a consideration of the part her lesbian sexuality may be seen to play in her particular development of abstraction, and an examination of her links to other women artists of the time.

Speaker 3 - Dr. Anna Lovatt

A symposium exploring the works of Agnes Martin. Four leading scholars present new research and lead discussion around Martin’s work. Speakers will explore new directions in its interpretation, including a consideration of the part her lesbian sexuality may be seen to play in her particular development of abstraction, and an examination of her links to other women artists of the time.

Speaker 1 Briony Fer

A symposium exploring the works of Agnes Martin. Four leading scholars present new research and lead discussion around Martin’s work. Speakers will explore new directions in its interpretation, including a consideration of the part her lesbian sexuality may be seen to play in her particular development of abstraction, and an examination of her links to other women artists of the time.

Speaker 2 - Dr Alisair Rider

A symposium exploring the works of Agnes Martin. Four leading scholars present new research and lead discussion around Martin’s work. Speakers will explore new directions in its interpretation, including a consideration of the part her lesbian sexuality may be seen to play in her particular development of abstraction, and an examination of her links to other women artists of the time.

Introduction by Tamara Trodd

A symposium exploring the works of Agnes Martin. Four leading scholars present new research and lead discussion around Martin’s work. Speakers will explore new directions in its interpretation, including a consideration of the part her lesbian sexuality may be seen to play in her particular development of abstraction, and an examination of her links to other women artists of the time.

Sophie Howarth, Sarah Wilson, Niru Ratnam, Andrew Brighton, Discussion 1

Sarah Wilson, Matisse, Picasso and Exhibition Making  In the light of two very different exhibitions - the Royal Academy's Paris: Capital of the Arts 1900-1968 (26 January -19 April 2002) and Tate Modern's Matisse Picasso (11 May - 18 August 2002), Sarah Wilson, curator of the former, discusses the relationship between exhibition history and the fictional recreation of artists' personae and influence.Further ReadingConstantin Brancusi: The Essence of Things, Tate 2004, especially Alexandra Parigoris, 'The Road to Damascus'Alex Potts, The Sculptural Imagination: Fi

Sophie Howarth, Paul Wood, Matthew Gale, Dominic Willsdon, Discussion 1

Dominic Willsdon, To the Things Themselves! Phenomenology and Minimal Art  Phenomenology is a school of thought founded by the philosopher Edmund Husserl in the early 20th century. Between the 1920s and the 1960s, Martin Heidegger, Jean-Paul Sartre, Maurice Merleau-Ponty and others developed and expanded phenomenology to address art, literature, society and politics.