Part 9. Panel discussion and Q&A chaired by Marko Daniel

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

Part 8. Gavin Turk, Whaam!

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

Part 7. Lisa Tickner, Ken Russell’s ‘Pop Goes the Easel’ (1962)

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

Part 6. Leon Wainwright, Decolonising British pop​

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

Part 5. Panel discussion and Q&A chaired by Gill Perry

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

Part 4. David Alan Mellor, Popular Modernisation…. with English Characteristics

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

Part 3. Iria Candela, Lichtenstein: A Retrospective

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

Part 2. Hal Foster, The Cliché According to Roy Lichtenstein

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

Part 1. Welcome and introduction, Marko Daniel and Gill Perry

This study day explores issues raised by a major Roy Lichtenstein retrospective at Tate Modern. His extraordinary body of work is the springboard for a critical exploration of ideas around the meaning of pop in the US and UK and its legacy for contemporary art and culture. Curators, academics and artists will contribute to the debates.

Contributor Will Rea. Will is Senior Lecturer in the school of Fine Art, History of Art and Cultural Studies at the University of Leeds. He has worked extensively in South Western Nigeria. He has worked with artists in Nigeria and has been particularly involved with masquerade performances in the Ekiti region. More recently he has worked with contemporary makers in Lagos and Ibadan.