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Photography

Event date
Saturday, June 25, 2005 - 12:00

Melanie Manchot, Artist's Presentation  Melanie Manchot will talk through a selection of recent works in relation to a performative approach to photography and portraiture. She will discuss her use of cameras, both moving and still, as tools to create encounters on the threshold between staged and documentary practice. Many of these works are made with strangers, often in public spaces, and aim to articulate relationships between the individual and collective space.

Event date
Saturday, March 17, 2007 - 13:00

Gill Perry, Discussion  This video recording is the discussion, the final part of the Tate Modern study day Identity and Performativity

Event date
Saturday, March 17, 2007 - 13:00

Lara Perry, The substance of the subject: representing identity in contemporary portraiture  Many of the starkest examples of 'performed' gender in contemporary art have been delivered through the genre of portraiture: the works of Cindy Sherman and Yasumasa Morimura can certainly be understood to work in this context.

Event date
Saturday, March 17, 2007 - 13:00

Gilda Williams, Factory Girls and Superstars: Warhol's Women in the 1960s  Gilda Williams discusses the construction of women's identity in Warhol's Factory, which, despite being often described as a 'boy's club’, counted numerous fascinating, often beautiful women among its regulars, including Jane Holzer, Edie Sedgwick, Brigid Berlin, Ultra Violet, Dorothy Dean, Mary Woronov, Viva and innumerable others.

Event date
Saturday, March 17, 2007 - 13:00

Gill Perry, Gender, Performance and Play: An Introduction  Professor Gill Perry reviews some of the issues for the day, exploring the relationship between gender, performativity and play. This programme maps out the wide range of practices and theories associated with the labels 'performance', 'performance art' and 'performativity', providing a toolkit with which to explore some of the practices involved.

Event date
Saturday, March 17, 2007 - 13:00

Marko Daniel, Introduction  This study day explores the various ways in which performance has been used in recent art, focusing on a range of media including photography, performance, installation, video art and painting.

Event date
Saturday, June 16, 2007 - 12:00

Matthew Gale, Ian Christie, Gill Perry and Dawn Ades, Discussion 2  A video recording a discussion from the Tate Modern Surrealism and Film Study Day conference

Event date
Saturday, June 16, 2007 - 12:00

Discussion 1 A video recording of a discussion from the Tate Modern Surrealism and Film Study Day

Event date
Saturday, June 16, 2007 - 12:00

Matthew Gale, Dalí & Film Exhibition: An Introduction  Matthew Gale gives an introduction to the Dalí & Film exhibition at Tate Modern. He discusses the curatorial issues concerning the show that arise from the juxtaposition of Dalí's paintings, photographs and drawings with his film imagery. Further Reading Paul Hammond, The Shadow and its Shadow: Surrealist Writings on Cinema, London 1978 and San Francisco 2000 Paul Hammond, L'Age d'or, London 1997 Haim Finkelstein ed., The Collected Writings of Salvador Dalí, Cambridge 1998

Event date
Saturday, March 8, 2008 - 13:00

Carey Young, Duchamp, Man Ray, Picabia, Imagination Engineering  Using a variety of media including video, performance and photography, artist Carey Young uses found tools, language and training processes from the worlds of the multinational corporation and global law firm and diverts them into an artistic context from which she explores ideas of autonomy, duration, intimacy and dissent. In her talk she will discuss the corporate avant-garde's hunger for 'creativity' and 'revolutionary' language and how she responds to these challenges within her own artistic work.

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